Fresh from their triumph at Woodstock, the Family Stone
immediately set to work on a new conceptual album, although for one reason or
another only three tracks were completed; this one, and the 1970 double-sided
number one “Thank You (Falettin’ Me Be Mice Elf Again)”/”Everybody Is A Star,”
all of which appeared on their 1970 Greatest
Hits album (this was very much a last-minute substitute for a new LP, but
is one of the least dispensable LPs of which I can think).
Hence “Hot Fun” could be seen as an attempt by the band to
reach out to their new, wider audience – or perhaps to disturb them in deeper
ways. On its surface, “Hot Fun” is a rolling, anthemic thing with some
trademark jazz changes which must have inspired the youthful Prince, complete
with a 6/8 staccato piano which could have emerged from a fifties Platters
record. The record seems to fit in with that period’s general move towards
sunshine pop, but is actually a very subtle subversion of it.
Over fanfares of brass and strings which make one expect
Donny Osmond to enter any moment, the group sings in bucolic harmony about
those lazy, hazy, crazy days of old – even if they were only four years old.
The clue is how late in the year the song hit, and its general aura of the
autumnal (“First of the fall and then she goes back/Bye, bye, bye, bye
there/Them summer days”).
If the latter sequence of lyrics reminds you of “Fall Breaks
And Back To Winter” then that is probably no accident. Greil Marcus rather
sniffily says that “the Beach Boys did summer better,” but this is a very
Wilsonian way of approaching the subject of summer – think of the purple sunset
of regret running through “All Summer Long” (“We’ve been having fun all summer
long”) and how naturally it slows to the funereal pace of “The Warmth Of The
Sun.”
But the song is said actually to be about the Watts riots,
and Sly Stone’s notion of “hot fun” is perhaps not that of sodas and pretzels
and beer. Note how when the individual Family members step up for their
individual lines, the benign lining is irrupted, particularly when Rose Stone
exclaims: “I ‘cloud nine’ when I want to!” and we realise what the song is
actually about. Given that Norman Whitfield had just reinvented The Temptations
with “Cloud Nine,” in great part under Stone’s influence, it is perhaps fitting
that “Hot Sun” should settle in the charts directly beneath “I Can’t Get Next
To You.” One only has to proceed two winters to There’s A Riot Goin’ On to appreciate how much of the pain running
through the latter is consequent to the memories of the recent past expressed
in this song.
Date Record Made
Number Two: 18 October 1969
Number Of Weeks At
Number Two: 2
Record At Number One: “I
Can’t Get Next To You” by The Temptations
UK Chart Position: None
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